"She manipulated her weavings into sculptural forms such as The King Iand The Queen, 1962, a revolutionary concept at the time.
Many of her works incorporate handwritten and printed manuscripts in a variety of languages from the early Discours Historiques,1966, and Epîtres, 1967, to That Other Sea, 1967, and Distilla, 1967. More often than not she employed strips of paper in a weaverly fashion."
http://craftcouncil.org/magazine/article/lenore-tawney-spiritual-revolutionary